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DTSTART;TZID=UTC:20260226T150000
DTEND;TZID=UTC:20260226T150000
DTSTAMP:20260929T003512Z
CREATED:20260224T021752Z
LAST-MODIFIED:20260929T003512Z
UID:30686-1772118000-1772118000@spanport.ucla.edu
SUMMARY:Adapting Erauso: A Conversation with Gabriela Cabezón Cámara
DESCRIPTION:Please join the UCLA Spanish & Portuguese department for a conversation with acclaimed author Gabriela Cabezón Cámara\, celebrated for her novels Las aventuras de la China Iron\, La Virgen Cabeza\, and Las niñas del naranjel. \nPlease RSVP here. \nThis event will also be hosted virtually on Zoom: https://ucla.zoom.us/j/92851908521
URL:https://spanport.ucla.edu/event/adapting-erauso-a-conversation-with-gabriela-cabezon-camara/
LOCATION:Rolfe Hall 4302\, Lydeen Library\, Rolfe Hall 4302\, Lydeen Library
CATEGORIES:Humanities,Upcoming Events
ATTACH;FMTTYPE=image/jpeg:https://spanport.ucla.edu/wp-content/uploads/2026/02/Gabriela-Cabezon-Camara-Conversation-2026-.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260311
DTEND;VALUE=DATE:20260313
DTSTAMP:20260228T065552Z
CREATED:20260228T065552Z
LAST-MODIFIED:20260228T065552Z
UID:30702-1773187200-1773359999@spanport.ucla.edu
SUMMARY:Counter-Pedagogies of Forgetting Tour
DESCRIPTION:Fostering public conversations about memory and justice\, a reflection on Peru’s forced disappearances from 1980 to 2000. \nDocumentary Screening: Este fue nuestro castigo\, by Luis Cintora\nWednesday March 11\, 11:30 – 1:30 PM in Bunche Hall 10383 \nGuided Photo Exhibition: Percy Rojas (Ausencias Presentes)\nThursday March 12\, 9:00 AM – 4:00 PM in Rolfe Hall 4302\, Lydeen Library \nBook Reading: Karina Pacheco’s Niños del pájaro azul\, with Gisela Ortiz\nThursday March 12\, 4:00 PM in Rolfe Hall 4302\, Lydeen Library
URL:https://spanport.ucla.edu/event/counter-pedagogies-of-forgetting-tour/
LOCATION:Bunche Hall 10383 and Rolfe Hall 4302\, Lydeen Library
CATEGORIES:Humanities,Upcoming Events
ATTACH;FMTTYPE=image/png:https://spanport.ucla.edu/wp-content/uploads/2026/02/counter-pedagogies-2026-UCLA@0.5x-v19.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260417T150000
DTEND;TZID=UTC:20260417T150000
DTSTAMP:20260411T030406Z
CREATED:20260319T224644Z
LAST-MODIFIED:20260411T030406Z
UID:30775-1776438000-1776438000@spanport.ucla.edu
SUMMARY:A corazón abierto: notas para una escritura quirúrgica
DESCRIPTION:Lina Meruane (hija de un cardiólogo jubilado) aborda la aparición del “corazón abierto” en la novelística latinoamericana. Inspirada por El intruso (2006)\, relato de Jean Luc Nancy sobre su trasplante de corazón\, Meruane examina trastornos reales (incluido su reciente episodio de arritmia) y comenta problemáticas éticas y estéticas en tres novelas quirúrgicas: Sutura (2025)\, de Sofía Balbuena\, La novela del corazón (2022) de Roberto Castillo y Todo está bien\, salvo mi corazón\, (2022) de Héctor Abad Faciolince. \nLina Meruane es una escritora chilena y doctora en literatura (New York University\, 2009). Su obra incluye dos colecciones de relatos y cinco novelas traducidas a doce lenguas\, así como diez libros de ensayo sobre el cuerpo y la enfermedad\, los feminismos y la cuestión palestina. Su obra ha sido reconocida con los premios José Donoso (Chile)\, Metrópolis Azul (Canadá)\, Cálamo (España)\, Sor Juana Inés de la Cruz (México)\, Anna Seghers (Alemania)\, y las becas Guggenheim\, National Endowment for the Arts y DAAD. Actualmente dirige el programa de escritura creativa en la Universidad de Nueva York\, donde también es escritora distinguida.
URL:https://spanport.ucla.edu/event/a-corazon-abierto-notas-para-una-escritura-quirurgica/
LOCATION:Rolfe Hall 4302\, Lydeen Library\, Rolfe Hall 4302\, Lydeen Library
CATEGORIES:Humanities,Upcoming Events
ATTACH;FMTTYPE=image/jpeg:https://spanport.ucla.edu/wp-content/uploads/2026/03/A-corazon-abierto-notas-para-una-escritura-quirurgica-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20260507T160000
DTEND;TZID=UTC:20260507T180000
DTSTAMP:20260424T050958Z
CREATED:20260402T013749Z
LAST-MODIFIED:20260424T050958Z
UID:30859-1778169600-1778176800@spanport.ucla.edu
SUMMARY:First Epistle to the Amphibians: Reading and Conversation with Ricardo Domeneck\, Chris Daniels\, and Patrícia Lino
DESCRIPTION:Book Launch for FIRST EPISTLE TO THE AMPHIBIANS\, a collection of poetry by Brazilian author Ricardo Domeneck\, translated by Chris Daniels\, published by World Poetry Books in April 2026. The event will consist of a reading and conversation with Ricardo Domeneck\, Chris Daniels\, and Patrícia Lino. \nRicardo Domeneck is a Brazilian writer based in Berlin. He has published ten collections of poems and two of short prose in Brazil and Portugal. He is the recipient of two of Brazil’s most prestigious literary awards\, the Prêmio Jabuti and the Prêmio Alphonsus de Guimaraens\, and selected volumes of his poems have appeared in German\, Dutch and Spanish. Working with sound and performance\, he has presented work in several museums and galleries. First Epistle to the Amphibians (World Poetry\, 2026) is the first book of his poetry to appear in English translation. \nChris Daniels is a feral translator of global Lusophone poetry. He has published book-length translations of poetry by Fernando Pessoa\, Josely Vianna Baptista\, Adelaide Ivánova\, Lubi Prates\, and Orides Fontela. His selected volume of Ricardo Domeneck’s poems\, First Epistle to the Amphibians\, will be released by World Poetry Books in April 2026. \nPatrícia Lino is a poet\, an essayist\, a performer\, a translator and Associate Professor of poetry and visual arts at UCLA. Among her books\, videopoems\, translations\, performances\, talk-performances and sound experiences are\, for instance\, Todo poema é um kindergarten (2025)\, I Am a Poet\, I Was a Starling (2025)\, Imperativa Ensaística Diabólica. Infraleituras da Poesia Expandida Brasileira (2024)\, O Kit de Sobrevivência do Descobridor Português no Mundo Anticolonial (2024)\, or A Ilha das Afeições (2023).
URL:https://spanport.ucla.edu/event/first-epistle-to-the-amphibians-reading-and-conversation-with-ricardo-domeneck-chris-daniels-and-patricia-lino/
LOCATION:Rolfe Hall 4302\, Lydeen Library\, Rolfe Hall 4302\, Lydeen Library
CATEGORIES:Humanities,news,Upcoming Events
ATTACH;FMTTYPE=image/jpeg:https://spanport.ucla.edu/wp-content/uploads/2026/04/domeneck-poster-ucla-may26.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20260518T160000
DTEND;TZID=UTC:20260518T160000
DTSTAMP:20260506T235450Z
CREATED:20260506T235250Z
LAST-MODIFIED:20260506T235450Z
UID:31026-1779120000-1779120000@spanport.ucla.edu
SUMMARY:Screening Dispossession in Abya Yala: Collaborative Filmmaking and Environmental Justice in Mining Contexts
DESCRIPTION:In this talk\, I examine how Indigenous peoples in Abya Yala (Latin America) mobilize collaborative filmmaking to resist mining dispossession\, even as the technologies of film and video remain entangled in extractive systems. I argue that Indigenous cosmopolitics plays a central role in contemporary audiovisual narratives that contest hegemonic representations of mining\, contributing to the decolonization of extractivist perspectives and to the defense of Indigenous territorial\, visual\, and cultural sovereignty in Abya Yala. \nDrawing on selected films from Peru and Brazil and the work of Indigenous thinkers such as Ailton Krenak and Davi Kopenawa\, I introduce the concept of “orphanization” to reframe dispossession beyond purely material or human-centered frameworks. This concept highlights how extractivism fractures relational worlds\, disrupting connections between people\, land\, and more-than-human life. By bringing Indigenous thought into conversation with critical theory\, this talk highlights how cultural production can reshape the way we understand environmental justice\, dispossession\, and resistance. \nBARBARA GALINDO is a Chancellor’s Postdoctoral Fellow in the Department of Media and Cultural Studies at the University of California\, Riverside. \nShe was previously an ACLS Emerging Voices Postdoctoral Fellow in Race\, Ethnicity\, and Indigeneity (2022–2024) at the Institute for Research in the Humanities at the University of Wisconsin–Madison. She holds a Ph.D. in Hispanic Languages and Literatures from the University of California\, Los Angeles. \nAn activist\, researcher\, and educator\, Galindo’s work advances new critical approaches to understanding socio-environmental issues in Latin America. Her research focuses on twentieth-and twenty-first-century cultural production\, with particular attention to the Andean and Amazonian regions. Her recent publications appear in the Journal of Latin American Cultural Studies (JLACS)\, LACIS Review\, and the Bulletin of Latin American Research (BLAR). \nIn this talk\, Galindo invites students to consider cultural production as a site of epistemic and political resistance within socio-environmental struggles\, highlighting the importance of interdisciplinary training and multilingualism.
URL:https://spanport.ucla.edu/event/screening-dispossession-in-abya-yala-collaborative-filmmaking-and-environmental-justice-in-mining-contexts/
LOCATION:Rolfe Hall 4302\, Lydeen Library\, Rolfe Hall 4302\, Lydeen Library
CATEGORIES:Humanities,Upcoming Events
ATTACH;FMTTYPE=image/jpeg:https://spanport.ucla.edu/wp-content/uploads/2026/05/Barbara-Galindo-Flyer-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261021T160000
DTEND;TZID=America/Los_Angeles:20261021T173000
DTSTAMP:20260929T003449Z
CREATED:20260925T232300Z
LAST-MODIFIED:20260929T003449Z
UID:31459-1792598400-1792603800@spanport.ucla.edu
SUMMARY:Indranil Chakravarty The Power of Intercultural Dialogue: Octavio Paz Between Mexico and India
DESCRIPTION:Based on his recent book\, The Tree Within: Octavio Paz’s Years in India (Penguin\, 2025)\, Chakravarty explains how the Mexican Nobel Laureate poet and diplomat\, Octavio Paz\, became a cultural bridge between two parts of the Global South that are separated by geography\, language\, culture and history. As Mexico’s ambassador to India in the 1960s\, Paz immersed himself in the country’s contemplative traditions\, travelled widely\, forged deep friendships with some of India’s finest minds\, and produced some of his most inspired poetry and essays. By his own admission\, he experienced a ‘second birth’. While exploring the poet’s inner journey by delving into multilingual archives\, declassified diplomatic files\, personal letters and intimate interviews\, Chakravarty explains how Paz prepared\, emotionally and intellectually\, for a deep engagement with India\, allowing it to reshape him. While he gave poetic form to several Indian philosophical concepts and became a mentor to an entire generation of avant garde painters\, he opened pathways through which Latin American writers and artists could draw inspiration from Indian culture. \n\n\n\nIndranil Chakravarty is a writer\, filmmaker and academic based in India. His main interest lies in tracing the history of cultural interactions between India and Latin America. For more than two decades\, he has been a professor of film history at India’s premiere film institutes and has made several documentaries. He studied at Presidency College in Calcutta\, Escuela Internacional de Cine y TV in Havana\, and received his PhD from Victoria University of Wellington. His publications include The New Latin American Cinema\, India’s Audiovisual Market\, and a book in Spanish titled Redescubriendo a Tagore\, about the discourse around the Indian poet in Hispanic literature. His next book\, Hometowns (2027)\, is the biography of an Indian villager in the 19th century who led Brazilian battalions in two wars.
URL:https://spanport.ucla.edu/event/indranil-chakravarty-the-power-of-intercultural-dialogue-octavio-paz-between-mexico-and-india/
LOCATION:Rolfe Hall 4302\, Lydeen Library\, Rolfe Hall 4302\, Lydeen Library
CATEGORIES:Humanities,Upcoming Events
ATTACH;FMTTYPE=image/jpeg:https://spanport.ucla.edu/wp-content/uploads/2026/09/Indranil-Chakravarty-Talk-102126-Event.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261105T160000
DTEND;TZID=America/Los_Angeles:20261105T173000
DTSTAMP:20260929T003420Z
CREATED:20260925T235127Z
LAST-MODIFIED:20260929T003420Z
UID:31471-1793894400-1793899800@spanport.ucla.edu
SUMMARY:NADINE A Performance by Luiza Romão
DESCRIPTION:NADINE\nIn this shorter performance\, Luiza Romão presents several scenes from the show Nadine\, using a sampler and a microphone on a stand. Adaptable to different formats and performance spaces\, the piece touches on aspects of detective fiction and presentsthe poems with a stronger emphasis on spoken word. \nSynopsis:\nBased on Luiza Romão’s book of the same name\, Nadine tells the story of a young woman who\, after being murdered\, decides to investigate her own crime. Blending spoken word with crime fiction\, the performance explores themes such as gender\, the representation of violence\, and the states of vulnerability associated with sleep. Onstage\, the poems come to life alongside the original soundtrack created by José Paes de Lira. Featuring various special guest appearances in voice-over\, the audio tracks are triggered through a sampler\, creating soundscapes\, musical recordings\, and vocal architectures. The event will be hold both in Portuguese and English. \nLUIZA ROMÃO\nPoet\, actress\, and researcher\, Luiza Romão is the author of Sangria\, Também guardamos pedras aqui (winner of the Jabuti Prize for Best Poetry Book and Book of the Year)\, and Nadine. She holds a bachelor’s degree in Performing Arts and a master’s degree in Literary Theory and Comparative Literature from the University of São Paulo (USP)\, where she is currently pursuing a Ph.D. researching the relationship between literature and performance. \nHer work has been presented at major festivals in Brazil and abroad\, including performances in Argentina\, Germany\, Cuba\, China\, Spain\, Portugal\, Switzerland\, the Netherlands\, Mexico\, Costa Rica\, France\, and Uruguay\, among other countries. \n 
URL:https://spanport.ucla.edu/event/nadine-a-performance-by-luiza-romao/
LOCATION:Lydeen Library\, 345 Portola Plaza\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Humanities,news,Upcoming Events
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